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The Small Faces released “Sha-La-La-La-Lee” in January 1966, a catchy R&B track with engaging vocals from Steve Marriott. Despite accusations of “selling out,” the band aimed for commercial success to establish their name. They planned to incorporate more experimental sounds…
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The content reviews “Inside-Looking Out” by The Animals, highlighting its mixed reception. Critics note its energetic performance and Eric Burdon’s passionate vocals, despite some mediocrity and repetitive elements. Discussions about American musical professionalism versus British spontaneity emerge, alongside insights into…
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The Troggs, led by Reg Presley, experienced a meteoric rise in the 1960s, achieving significant success with hits like “Wild Thing” and “I Can’t Control Myself.” Their new label, Page One Records, showcases their talents, while the band navigates the…
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“STRAW DOGS” / “YOU CAN’T SAY CRAP ON THE RADIO” (CHRYSALIS CHS-2368) SEPTEMBER 1979 Stiff Little Fingers | Straw Dogs | (Chrysalis) 1979 – Solid two sided punk release by SLF during the latter part of 1979 and almost a hit,…
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In March 1978, Stiff Little Fingers released “Suspect Device,” inspired by The Clash and featuring lyrics given to them by journalist Gordon Ogilvie. Recorded in a jingle studio, the track’s energetic sound and Burns’ passionate vocals garnered attention, especially from…
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The Riddles, a promising Illinois teen beat group, released their single “Sweets For My Sweet” in June 1967 through Mercury Records, having gained local popularity. Despite its initial appeal, the track garnered little attention over time, whereas the B-side, “It’s…
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In November 1965, The Kinks released “Till The End Of The Day” and “Where Have All The Good Times Gone.” The tracks feature Ray Davies’ distinctive style, with energetic instrumentals and memorable lyrics. While critics noted the latter’s clarity, they…
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THE STOMACH MOUTHS – ’Wild Trip’/’Don’t Put Me Down’ (Mansi Sunlight 196025-01) 1985 if you like purple better than white you know what to do . . . One of the very best bands to hail from Sweden are mid…
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Moss Lynch’s single, ‘Nine To Five Disease / Where’s The Freedom’, released in February 1971 by Trip Universal, reflects countercultural themes with lyrics critiquing capitalism and advocating for environmental awareness. Although little is known about Lynch, he is suggested to…
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The Bonniwell Music Machine’s self-titled 1968 album showcases a revolutionary blend of intricate electronic techniques and compelling compositions by Sean Bonniwell. With 14 tracks recorded over 300 hours, the album highlights the evolution of rock music, integrating advanced sound engineering…
