This album is offered as a real tribute to the real psych-punk sound. All tracks are previously unreissued.
It seems that by the final Flower Power release the focus of attention was firmly on their lead singer Sandi Craig. ’Orange Skies’, originally recorded by Love seemed an odd choice for a single. Someone has written on the label ’Sandi Craig &’…..The Flower Power. An obvious reference that management or the record label wanted her to be known as the front person.
’Orange Skies’ is a noteworthy effort, I’ve always loved the song anyway, so to get to hear it performed and arranged in a slightly different way appeals to me. I don’t know how the 45 was received or if it sold in any quantity. I’m just hoping that someone gets in touch with more information about The Flower Power. They were obviously a talented outfit. Shame they didn’t record an album. Maybe unreleased material lies in someone’s archives?
The flip ’Stop! Check It!’ sees the group loose and heavy with a powerful instrumental full of fuzz and wah wah. This is where it’s at for me – late 60s underground coolness.
Since I wrote my Flower Power entries I have been contacted by former member Joe Rolison who kindly sent me the following information about his psychedelic group.
”The Flower Power formed in October 1967, I was 15. The band came together from members of popular local bands. Craig Ferguson, guitar and lead vocal from The Soul Survivors, Robert Weathersby, guitar and Gregg Giuffria, organ from The Telstars. David Mcintosh and Sandi Craig from Sandi and the Gang Band, Joe Rolison from The Varments on bass.
Our age was from 15 to 17 years old. We played local gigs on the Mississippi Gulf Coast. Soon after we met Tom and Paul Kaimser in New Orleans looking for gigs in the parking lot of WNOE Radio Station.
After hearing a demo tape we made they became our Managers, Tom’s father in law, Joe Banasak, owned Tune-Kel and we signed a contract with them in early 1968.
FLOWER POWER RECORDINGS
The first single,’Bye Bye’ was recorded at Cosmos Studio in Nola. The line up was the original as mentioned.
David Mcintosh left the band and was replaced by Johnny Rand from The Soul Survivors. Robert Weathersby also left and was replaced by Randall Currie also ex Soul Survivors.
The next two records were with this line up. We did a lot of shows as an opening act with the Krimser Management as a back up band for B.J.Thomas. We also performed shows with Jimi Hendrix, Sly and the Family Stone and many others.
’Mt Olympus’ was recorded with this line up. Randall Currie left the group in August 1968 and was replaced by Ted Tierce from The Substantial Evidence who had a single called ’Death Angel’ and were popular in the region.
Johnny Rand left the band and was replaced by Dickie Burnet on drums early 1969. Ted Tierce left after 5 months and we decided to stay as a five piece.
In July 1969 we went to Houston. Texas to open for The Nazz, Todd Rundgren’s band.
On Sunday, August 31st we were the opening act at the first New Orleans Pop Festival, a two day event with Janis Joplin, Santana and The Grateful Dead plus many more.
We recorded a lot of material in Houston, Texas, nothing released and the songs were never mixed but there was some test pressings on vinyl. Sadly, I don’t have one. The Flower Power rolled on into 1970 and played the second Atlanta Pop Festival in Georgia that July. This was the last gig we played together.
I played locally until 1985.
Thanks for your interest in my old band. There’s lots of crazy stories that i could tell.” (Joe Rolison, 2013)
THE FLOWER POWER DISCOGRAPHY:
’You Make Me Fly’ / ’Sunshine Day’ (Tune-Kel 608) 1968
’Mississippi Delta’ / ’Bye Bye Baby’ (Tune-Kel 611) 1968
’Trivialities’ / Mt. Olympus’ (Tune-Kel 612) 1968
’Don’t Burn My Wings’ / ’Sailing Around The Sun’ (Tune-Kel 613) 1969
’Stop! Check It’ / ’Orange Skies’ (Tune-Kel 614) 1969
THE GREEK FOUNTAINS – ’Buy You A Chevrolet’/’What Is Right’ (Montel-Michelle M-983) December 1966
Baton Rouge, LA was the home of The Greek Fountains, considered by many to be the number one group in the City. They were certainly prolific and released six singles on various labels in less than two years. You’d think that was virtually impossible but not for The Greek Fountains.
’Buy You A Chevrolet’ (more widely known as ’Hey Gyp’) is a cover of one of Donovan’s more direct songs and was attempted by many combo’s during the mid 60s. I’d wager that none were as energetic than this killer version with it’s Yardbirds style rave-up, snotty vocals and harmonica.
The flip ’What Is Right’ sounds like a completely different group and may have been something of an experiment coming across as bizarre country & western. Think Flying Burrito Brothers on acid.
The 45 got a mention in Billboard as a new release during December 1966.(18/03/13)
THE GREEK FOUNTAINS – ’I’m A Boy’ / ’She Does It’ (Pacemaker Records PM-250) January 1967
This is the second time on ’Flower Bomb Songs for The Greek Fountains.
’I’m A Boy’ is their straight ahead cover of The Who classic with a fade-out ending. The flip ’She Does It’ has a soul pop sound and is the direction the group would further explore when they changed their name to The Greek Fountain River Front Band later in 1967.
Both sides on this disc have yet to be compiled.
Pacemaker Records from Pasadena, Texas also released noteworthy singles by Gaylon Ladd, Johnny Winter, The Triumphs and Yesterday’s Obsession.(18/05/14)
BOHEMIAN VENDETTA – ”Riddles & Fairytales” (Mainstream 681) June 1968
By the time Mainstream Records released Long Island’s Bohemian Vendetta’s second single ”Riddles & Fairytales” was already a year old. The 45 was backed with the mod infused shaker ”I Wanna Touch Your Heart” (see my previous entry). The record was an edited version of the album track.
”Riddles & Fairytales” is an organ dominated psychedelic rocker with Seeds like fuzz and obscure lyrics. It got some radio plays on the East Coast but probably failed to get beyond ’promotional status.’ (01/11/15)
BOHEMIAN VENDETTA – ”I Wanna Touch Your Heart” (Mainstream S/6106) January 1968
This album by Bohemian Vendetta has been my latest spin and it’s a decent effort combining psychedelic effects, fuzz and weirdness. Billboard magazine reviewed it as ”a natural for underground stations featuring psychedelic music.”
There is a classy garage number, the July 1967 single ”Enough” and the psych strangeness of ”Riddles & Fairytales” and ”Paradox City” are great but the extended versions of ”The House Of The Rising Sun” and ”(I Can’t Get No) Satisfaction” are not really where it’s at in my mind right now but I’m sure others will dig ’em.
Check out ”I Wanna Touch Your Heart” which was used as the flip of their second single b/w ”Riddles & Fairytales.”
Victor Muglia (bass)
Randy Pollock (rhythm guitar)
Nick Manzi (lead guitar)
Chuck Monica (drums)
Brian Cooke (organ / lead vocals)